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cavetocanvas: Giorgio de Chirico, Song of Love, 1914 From MoMA: This painting brings together incongruous and unrelated objects: the head of a Classical Greek statue, an oversized rubber glove, a green ball, and a train shrouded in darkness, silhouetted against a bright blue sky. By subverting the logical presence of objects, de Chirico created what he termed “metaphysical” paintings, representations of what lies “beyond the physical” world. Cloaked in an atmosphere of anxiety and melancholy, de Chirico’s humanoid forms, vacuous architecture, shadowy passages, and eerily elongated streets evoke the profound absurdity of a universe torn apart by World War I.

cavetocanvas:

Giorgio de Chirico, Song of Love, 1914

From MoMA:

This painting brings together incongruous and unrelated objects: the head of a Classical Greek statue, an oversized rubber glove, a green ball, and a train shrouded in darkness, silhouetted against a bright blue sky. By subverting the logical presence of objects, de Chirico created what he termed “metaphysical” paintings, representations of what lies “beyond the physical” world. Cloaked in an atmosphere of anxiety and melancholy, de Chirico’s humanoid forms, vacuous architecture, shadowy passages, and eerily elongated streets evoke the profound absurdity of a universe torn apart by World War I.

— 4 months ago with 196 notes
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    CHANT D’AMOUR - Giorgio de Chirico (1914) (Décroché des cimaises de Cave to canvas)
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    Giorgio de Chirico, Song of Love, 1914 From MoMA: This painting brings together incongruous and unrelated objects: the...
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    cavetocanvas : Giorgio de Chirico
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